Mae

for my great grandmother


We never met, but you have promised this 

would heal, the place in the earth, 

the root system you dragged with your skirts


into the grave. It is all recorded in the veins 

of ore striped into rock, or rings in the tree, so we 

can tell what growing season, what glacier, what rapture


created this place. You were dry as

a tablecloth by then, your face like rock 

in the sun. I’m the one you were afraid


of becoming. Even as a girl I put hammer 

to granite and then sat at the table, sorting the crystal 

from the basalt. I am the black 


flecks that drifted in your liquid eye 

while it snowed and snowed

outside, so far from the spring 


inside your name.  If you can stand the cold,

 it is so beautiful here, you wrote in your scrapbook, 

between clippings of Amelia before she crashed 


the plane that was never found, 

and the royal who gave up his throne to marry 

an ordinary American.  You painted when you found 


the time and washed your hands to make dinner:

those wet worlds drying under your bed while you 

spread out the dinner set, did anyone see them?


Before dawn, you caught in a cold moment

the gray creek leading nowhere, and then painted 

the same scene flooded with sun, two versions


side by side.  But between them was the moment 

you didn’t paint, when every line

is sharp and true: is that what your son’s son


has become? An accidental birth, the final 

instant before the sun swept the valley clean, erasing

the words inside your mouth.  


It is why he left: to find what his father never found 

in a welder’s shop, behind the bus wheel,

something he couldn’t say 


even to these open fields. I am sorry to bring you back 

to this pretty and cold place, but I had to ask

before the city called me away, before I forget 


what is at stake.  Oh, I am still full

of what made this place.  The crushing 

rock and slow sheets of ice, what I am coming 


to believe: that destruction is 

creation. What would you make

of me now, standing inside the snake’s belly 


and listening to the hush hush of subway doors, 

the slick rain darkening my hair, my wet 

hands on a man’s arms, face, breathing and shaking.


I came back to ask you if the guilt

holds for every generation, whatever the canvas.  

Dirt or bedsheets, sky or tablecloth, your worlds 


glistening under the bed, and turpentine seeping up

into the air while he slept beside you—does it linger, 

the dream you lay your belly against?  I cry 


the hardest when I’m trying to stop.  It rained down 

on you sometimes too, I know, like what a lover once 

said about sex, but it holds for the soul too—it will grow


tangled and press at the gate, whether we tend to it or not.  

How he tasted to you coming in from 


the outside: sharp with sweat and smoke, a plane’s exhaust, the life

he tried to give you when he shut the gate behind him.